![]() The Blind Side may have been a little heavy-handed in its take, but Sandra Bullock’s Best Actress turn was a perfect storm, and its scenes may have you reaching for those tissues. The Fighter stepped into the ring with a hard-hitting performance from ( Ford v Ferrari alert) Christian Bale, who took home a Best Supporting trophy, along with co-star Melissa Leo.Īmerican sports movies often have to tackle the ugly specter of racism. While no one was looking, the Academy of Motion Picture Arts and Sciences recently dumped most of its Oscars footage onto YouTube hundreds and hundreds of clips from the show, including. ![]() They’re also worth a watch, if they ever come up in your recommended tab on Netflix. They may not have won Best Picture or Best Animated Short, but these sports movies came up big in acting or writing categories. Narrated and written by the Black Mamba himself (based on a poem he made), it’s a short, six-minute look back at a career and his undeniable, lifelong love for the sport. It’s notable for giving Kobe Bryant an unlikely Oscar award. But it’s a good faith step in the right direction.” _įollow AP Film Writer Lindsey Bahr on Twitter: so this short film didn’t win Best Picture - but it did win “best picture” in its category: Best Animated Short. ![]() “Could they have gone further? Of course. The Oscars were inching closer and closer to becoming the Emmys,” said one top awards strategist and academy member who requested anonymity to speak candidly about the changes. “It’s about time that the academy made a move to recommit to theatrical. Others are more hopeful and know that the academy’s board of governors meet often to reassess rules as the landscape continues to change. Questions also remain about how it will affect the eligibility of animated films and documentaries, which wouldn’t have to meet these requirements to qualify in their individual categories but now might have to adopt a different strategy to be in contention for best picture. Could companies simply rent out eight screens that will play to minimal or no crowds in densely populated areas that are relatively cheap and that are also not historically great for indie films? It’ll check the box, but will it help theaters, the films or audiences? And will it lead to an even greater year-end bottleneck of releases? There are a lot of unknowns about the specifics of the expansion, including whether there will be minimum of showtimes and screens. “I think it’s fair to say that nearly any film that doesn’t meet these parameters never stood a chance in a best picture race anyway.”īerger added: “Hopefully the result of this isn’t more robust and more costly campaigning that only serves to further divide merit based results from campaign based results.” “It’s important to consider that qualifying is merely a first step in a long process that involves robust and costly campaigning,” said Dan Berger, the president of the independent film company Oscilloscope. Even non-traditional Oscar “underdogs” like “ Drive My Car ” and “ RRR ” had substantial theatrical runs. Apple’s best picture winner “CODA” played in about 40 theaters. Much like the diversity requirements that went into effect this year, few could think of recent best picture players that wouldn’t have met this threshold. Some of the bigger indie stalwarts are even scheduling major studio films, leaving fewer times and screens available for true independents. Independent theaters and those willing to play independent films have become rarer and the competition is fierce for those screens in the major markets. The new rule may weed out the possibility of a grassroots campaign on behalf of a very small film, however. Its most recent best picture nominee, “All Quiet on the Western Front,” played in hundreds of theaters. All of Netflix’s nominees since “Roma” have met the requirement. theaters - New York’s Paris Theater and Los Angeles’ American Cinematheque - but they’ve also historically given theatrical runs to their awards hopefuls. ![]() Netflix has had a bigger theatrical footprint lately too. Amazon is already planning to release 12 to 15 movies theatrically every year, as they’ve already done with Ben Affleck’s “Air.” Apple is also set to spend $1 billion a year on movies that will land in cinemas before streaming, including Ridley Scott’s “Napoleon.” For streaming services, it could be a case-by-case adjustment depending on the company but not a hurdle. ![]()
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